Meet Year Of October

Year of October is an on-the-rise independent band based out of Nashville that has heavily featured on CBW Radio over the past three weeks, but who exactly are they?

Introduced to CBW Radio via the Independent Spotlight during The Rock Revival, Year of October has quickly become a fan favorite amongst listeners of the station. Capturing both a classic rock and modern sound, Year of October’s featured tracks off of Wastelands have found a home on Fridays as well as regular CBW Programing. Upon reaching out to the band, I was able to secure further information about this incredible act and just who they are.

Who is Year of October?

Year of October is Phlecia Sullivan, Josh Sullivan, and James Varner.” The band was formed by Phlecia and Josh While attending the University of Kentucky in 2010. The name comes from “When Phlecia and I (Josh) first started playing music… I was playing acoustic guitar and she was singing and it had a campfire music kind of vibe. Phlecia came up with the name based on that feeling of fall.”

How would you describe your sound?

“We’d describe our sound as fuzz, rock, soul. I would say that our music combines rock, soul, and blues; We’ve put out 4 records now and each record has continued to change and evolve (our sound)”

Who have been your biggest influences?

“We like a lot of different music, Some of our favorites include Led Zeppelin, The Beatles, Amy Winehouse, Black Sabbath, Jack White, Dead Weather, Otis Redding, Sam Cooke, The Budos Band, and Charles Bradley.”

Year of October can be heard regularly on CBW Radio where Josh describes, “It’s definitely an honor for us to be showcased… It’s an awesome station and we are truly very thankful.” As well as on any major streaming service such as Spotify or iTunes.

You can also catch Year of October live in Nashville, TN at Drifter’s BBQ on May 14th as well as Kimbro’s in Franklin, TN on May 25th!

-Article originally written by Style for CBW Radio and StylesRebelRadio.com

Criminally Underrated Music Genres

I love Music. Possibly the most overstated sentence in the English language, as well as one of the most untrue. Typically followed by “except country” or “except rap” the statement “I love music” then becomes defunct. Now don’t get me wrong, everyone is entitled to their preference however one cannot simply dismiss an entire genre from having any good tunes because “I don’t listen to/ like that genre.” Likewise, “I love music” is a dangerous blanket statement that is perfect for queuing up genre trivia because of the absolute absurd amounts of musical genres people don’t typically discuss or think about. These are the most criminally underrated music genres that deserve to be commonplace in music discussions .

1.Big Band

Big Band music, often lumped together with Swing, is a genre of music typically defined by including 10 or more instruments. Building off of jazzy undertones and often lacking vocal contribution, Big Band music erupted in the early 20s- 40s however the genre still lives on and is growing today! Groups such as Snarky Puppy infuse the jazz style of traditional Big Band groups with modern instruments. Big Band is the absolute perfect background music for social events or small parties.

2. Japanese Surf Rock

Groups like The Beach Boys and Jan and Dean popularized Surf Rock in the mid to late 1960s. In a classic case of, anything you can do, I can do better, Japanese music groups took the Surf Rock genre to the net level. With a sound that can only be described as a surf-rock guitar being unlocked to its full potential, groups such as Takeshi Terauchi And Bunnys revolutionized the possibilities of the Surf-Rock genre. Honestly, I encourage everybody reading this blog to check out some Japanese Surf Rock, you will not regret it!

3. Space Rock

Yeah, you heard me right, Space Rock. I cannot stress enough how much Space Rock needs to make a mainstream resurgence! The objective of Space Rock is to obtain an other-worldly sound, typically this is accomplished by the use of distortions, wild amounts of reverb, and instruments including guitars, synthesizers, and even the occasional thereon. Popularized n the 1960s as space and cosmic intrigue was at an all-time high, these early effects-heavy tracks create almost an eerie feeling of intrigue! My bandmate put it best describing the sound as the music equivalent to playing the hit game Destroy All Humans.

4. Psycedellic Space Rock

Like Space rock? Well, we’re breaking it down into a subgenre now! Psychedelic Space Rock takes the eerie unearthly feeling of space rock and combines it with the detached mindset of Psychedelic Rock. Emerging in the late 60s to mid-70s, This genre can serve as a much-needed alternative to the Lo-Fi and Classical music many use to kick back, unwind, relax, or study!

5. Western

Now before you anti-country die-hards click away allow me to clarify, WESTERN MUSIC IS NOT THE SAME AS COUNTRY MUSIC! You can consider it a predecessor to Country or even Bluegrass for that matter but Western music is its own entity. Comprised of Spanish guitar and often upright bass, the key to Western music is the storytelling. Possibly the richest in backstory of all the musical genres, Western music goes into great detail describing stories, events, folklore, and tales of tragedy. The absolute best genre in my opinion for long road trips or sitting around a fire, Western music focuses on the story rather than any eccentric musical accompaniments. The unappointed King of the Western Balled, Marty Robbins.

-Style